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Wednesday
Jul292015

What Do I Think About When Creating A Work?

People often ask me what I was feeling when I create a work. I never quite know how to answer that question. Truth be told, it takes months after I create a painting to feel attached to it. Creating is such an out of body experience for me that much of what I am creating seems to come from the subconscious. This may be in part that I use a lot of stream of consciousness when I create.

I focus on two things when I approach a blank canvas or sheet of paper. One is texture and the second is line. When I lay in texture, it is a little free flowing in placement as it creates the composition, I decide on how I want the flow of the composition to be and then I lay in the texture.  Lately I have been obsessed with decaying urban structures and I love using insulation foam and caulk to replicate this these bulbous dilapidating structures. I got interested in this texture when I moved to the northeast. There are so many abandoned factories and buildings that I have a wealth of inspiration every time I break into one of these buildings. (Cough cough.) Much of the collaged imagery I use are from left over photographs, magazines, books left behind in these buildings. I love the faded and peeling effect that these papers create in relation to my texture. I also think that the imagery works to lay in representational imagery that further boost the concept in my work.

I feel that these new experiences moving from the south to the north have given me a new perspective on my art. This is in part due to complete environment change and a serious life change, and I can't ignore that I am evolving as an artist. Evolving is scary. However, I am ready to evolve. I am ready to leave behind old ideas and transform them into new ideas. I want to do some more introspection and create some truly personal pieces so that I am not removed from my piece, but completely involved in the world I am creating. I want to step into a piece and become changed as I create it.

Much of the way I approach a work in terms of line is through music. Music is a very tactile experience for me. I can feel the sound and I let the sound flow through me and create the rises and falls of the music through line. I experience the world through line.

Today I went through and began to lay in line work and my shades for my black and white series. I also began a new work in my Synesthetic Memories series.

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  • Response
    Fine information, many thanks to the author. It is puzzling to me now, but in general, the usefulness and importance is overwhelming. Very much thanks again and best of luck!

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